SI ONSITE

HI-RES VERSION: Shawn Maximo SI ONSITE Public Amenity No. 1

Works on view by: Mathis Altmann, John Armleder, Robert Barry, Latifa Echakhch, Gina Fischli, Irena Haiduk, Christian Holstad, Cooper Jacoby, Gabriel Kuri, William Leavitt, Sam Lewitt, Nancy Lupo, Shawn Maximo, Shahryar Nashat, Raul de Nieves, Christof Nüssli, Meret Oppenheim, Pamela Rosenkranz, Ramaya Tegegne, TELFAR, Michael Wang, Shirin Yousefi

SI ONSITE is a series of commissioned and borrowed semi-permanent works and installations exhibited in non-gallery spaces of the building.. In the reception area, reading room, stairways, hallways, roof, elevator and other interstitial spaces, artists have contributed to the daily life of the building with artworks in the form of plants, scents, curtains, murals, clothing, seating, a visitor survey and more.

For live results of Swiss Institute Visitors Poll, conducted by Hans Haacke, please click here.

Image: Shawn Maximo, Public Amenity No. 1 (38 St. Marks Front), 2018. Digital rendering. Courtesy of the artist. Click to enlarge.

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SI ONSITE is made possible in part through a leadership gift from Nicoletta Fiorucci and support from SI ONSITE Partner Swiss Re. SI is grateful to the lenders for SI ONSITE: 303 Gallery, New York; Bridget Donahue, New York; David Kordansky Gallery, Los Angeles; Greene Naftali, New York; Karma International, Zurich; Kristina Kite Gallery, Los Angeles; Miguel Abreu Gallery, New York; Paula Cooper Gallery, New York.

SI Programming is made possible in part with public funds from Pro Helvetia, Swiss Arts Council; the New York State Council on the Arts, with the support of Governor Andrew Cuomo and the New York State Legislature; and the New York City Department of Cultural Affairs in partnership with the City Council. Main sponsors include the LUMA Foundation and Friends of SI. SI gratefully acknowledges Swiss Re as SI ONSITE Partner, Vitra as Design Partner, and SWISS as Travel Partner.

SI ONSITE John Armleder Swiss Institute

John Armleder, Royal Flush, 2018. Glass mirror tile. Courtesy of the artist.

SI ONSITE Sam Lewitt Swiss Institute

Sam Lewitt, Stranded Asset, 2018. Cast fuel ash, metal hardware, clear Murano glass rods, electrical hardware, fluorescent bulbs. Courtesy of the artist and Miguel Abreu Gallery, New York.

William Leavitt, Twin Wall Lights, 2011. Oil on canvas. Courtesy of the artist and Greene Naftali, New York.

SI Onsite Shahryar Nashat Swiss Institute

Shahryar Nashat, The Dangling Else (YOU KNOW WHAT YOU WANT), 2018. Cotton, magazine clippings, metal, nylon. Courtesy of the artist and David Kordansky Gallery.

SI ONSITE Raul de Nieves Swiss Institute

Raúl de Nieves, Humility (999), 2018, detail. Resin, beads, dirt, artist hair. Courtesy of the artist.

SI ONSITE Raul de Nieves Swiss Institute

Raúl de Nieves, Humility (999), 2018, detail. Resin, beads, dirt, artist hair. Courtesy of the artist.

Raul de Nieves SI ONSITE Swiss Institute

Raúl de Nieves, Humility (999), 2018, detail. Resin, beads, dirt, artist hair. Courtesy of the artist.

Gabriel Kuri, <em>Untitled Public Art Work</em>, 2019. Enameled plaques. Courtesy of the artist and Kurimanzutto, Mexico City, New York. 

Ramaya Tegegne Wilsons/Genzkens SI ONSITE

Ramaya Tegegne, Genzkens/Wilsons, 2019. Nefertiti bust replica, paint, sunglasses. Courtesy of the artist. 

Ramaya Tegegne SI ONSITE Wilsons/Genzkens

Ramaya Tegegne, Genzkens/Wilsons, 2019, detail. Nefertiti bust replica, paint, sunglasses. Courtesy of the artist. 

SI ONSITE Jill Mulleady Swiss Institute

Jill Mulleady, A depiction of the apple-shot scene or the tragedy of Joan Vollmer, 2018, detail. Silk paint (acidic dyes) on organza. Courtesy of the artist and Freedman Fitzpatrick.

SI ONSITE Jill Mulleady Swiss Institute

Jill Mulleady, A depiction of the apple-shot scene or the tragedy of Joan Vollmer, 2018, detail. Silk paint (acidic dyes) on organza. Courtesy of the artist and Freedman Fitzpatrick.

SI ONSITE Latifa Echakhch Swiss Institute

Latifa Echakhch, Crowd Fade (New York), 2018. Fresco. Courtesy of the artist, Galerie Kammel Mennour, Kaufmann Repetto, Galerie Eva Presenhuber, and Dvir Gallery.

SI ONSITE Latifa Echakhch Swiss Institute

Latifa Echakhch, Crowd Fade (New York), 2018, detail. Fresco. Courtesy of the artist, Galerie Kammel Mennour, Kaufmann Repetto, Galerie Eva Presenhuber, and Dvir Gallery.

SI ONSITE Christian Holstad

Christian Holstad, Companion flowers (Chives, Borage and Strawberries), 2018. Handmade fused glass panels. Courtesy of Massimo De Carlo Gallery.
As part of Learning to think kindly (through companion flowers), 2018. Courtesy of the artist, Andrew Kreps Gallery, Massimo De Carlo Gallery, Victoria Miro Gallery.

SI ONSITE Christian Holstad

Christian Holstad, Learning to think kindly (through companion flowers), 2018. Courtesy of the artist, Andrew Kreps Gallery, Massimo De Carlo Gallery, Victoria Miro Gallery.

SI ONSITE Christian Holstad

Christian Holstad, Learning to think kindly (through companion flowers), 2018. Courtesy of the artist, Andrew Kreps Gallery, Massimo De Carlo Gallery, Victoria Miro Gallery.

SI ONSITE Christian Holstad

Christian Holstad, Learning to think kindly (through companion flowers), 2018. Courtesy of the artist, Andrew Kreps Gallery, Massimo De Carlo Gallery, Victoria Miro Gallery.

SI ONSITE Christian Holstad

Christian Holstad, Learning to think kindly (through companion flowers), 2018. Courtesy of the artist, Andrew Kreps Gallery, Massimo De Carlo Gallery, Victoria Miro Gallery.

SI ONSITE Christian Holstad

Christian Holstad, Blind taste test #1 and Pattern of apples (trash can lid), 2015. Glazed ceramic. Courtesy of Massimo De Carlo Gallery
As part of Learning to think kindly (through companion flowers), 2018. Courtesy of the artist, Andrew Kreps Gallery, Massimo De Carlo Gallery, Victoria Miro Gallery.

SI ONSITE Christian Holstad

Christian Holstad, Blind taste test #1, 2015. Glazed ceramic. Courtesy of Massimo De Carlo Gallery
As part of Learning to think kindly (through companion flowers), 2018. Courtesy of the artist, Andrew Kreps Gallery, Massimo De Carlo Gallery, Victoria Miro Gallery. 

SI ONSITE Christian Holstad

Christian Holstad, Focus on sharing a sink (Micki has 1st dibs), 2016. Glazed ceramic on Nerikomi (marbled colored clay). Courtesy of Andrew Kreps Gallery.
As part of Learning to think kindly (through companion flowers), 2018. Courtesy of the artist, Andrew Kreps Gallery, Massimo De Carlo Gallery, Victoria Miro Gallery.

Gina Fischli Next Day Delivery

Gina Fischli, Next Day Delivery, 2019. Glue, cigarettes, ashes. Courtesy of the artist. 
Gina Fischli, Wartburg, 2019. Inkjet on vinyl. Courtesy of the artist. 

Gina Fischli Next Day Delivery Swiss INstitute SI ONSITE

Gina Fischli, Next Day Delivery, 2019. Glue, cigarettes, ashes. Courtesy of the artist.

Gina Fischli Next Day Delivery Swiss Institute SI Onsite

Gina Fischli, Next Day Delivery, 2019. Glue, cigarettes, ashes. Courtesy of the artist.

SI ONSITE Gabriel Kuri

Gabriel Kuri, <em>Untitled Public Art Work</em>, 2019. Enameled plaques. Courtesy of the artist and Kurimanzutto, Mexico City, New York. 

SI ONSITE Pamela Rosenkranz Swiss Institute

Pamela Rosenkranz, Color of a Tongue (Director), 2018. Courtesy of the artist.

SI ONSITE Nancy Lupo Michael Wang Swiss Insitute

SI ONSITE, roof installation, 2018.

SI ONSITE Nancy Lupo Swiss Institute

Nancy Lupo, Bench, 2015. Concrete. Courtesy of the artist and Kristina Kite Gallery.

Michael Wang, Extinct in the Wild, 2018. Living organisms, aluminum planters, drip irrigation system, substrate. Courtesy of the artist.

SI ONSITE Michael Wang Swiss Institute

Michael Wang, Extinct in the Wild, 2018, detail. Living organisms, aluminum planters, drip irrigation system, substrate. Courtesy of the artist.

SI ONSITE Shawn Maximo Public Amenity

Shawn Maximo, Public Amenity No. 1 (38 St. Marks Side), 2018. Digital rendering. Courtesy of the artist. Click to enlarge.

Cooper Jacoby, Pacifier, 2019. SL resin, graphite, dyed cotton, microphone
transmitter, receiver, speaker, and steel mount.

Meret Oppenheim, Hermes Fountain, 1966 / 2006. Bronze, dark green patina. Foundry: Pietro Caporrella, Roma, Italy. Courtesy of Karma International.

Meret Oppenheim, Hermes Fountain, 1966 / 2006. Bronze, dark green patina. Foundry: Pietro Caporrella, Roma, Italy. Courtesy of Karma International.

Mathis Altmann, Powerlifestyles III, 2019. Double sided RGB LED Pharmacy cross display. 5:55 min video loop. Courtesy of the artist and Freedman Fitzpatrick.

TELFAR, Unisex-Uniform, 2019. Backwards Polo shirts, 100% cotton. Courtesy of the artist.

Irena Haiduk During Open Hours: Labor Mode, 2019 Memory Implant (Expires on 11/30/2019) During Closed Hours: Leisure Mode, 2019. Memory Implant (Expires on 11/30/2019). Courtesy of Yugoexport.

Irena Haiduk During Open Hours: Labor Mode, 2019 Memory Implant (Expires on 11/30/2019) During Closed Hours: Leisure Mode, 2019. Memory Implant (Expires on 11/30/2019). Courtesy of Yugoexport.

Christof Nüsseli, Untitled (googly eyes), 2019. Inkjet print on vinyl. Courtesy of the artist.

Christof Nüsseli, Untitled (googly eyes), 2019. Inkjet print on vinyl. Courtesy of the artist.

Matt Copson, Gred, Blorange, Yeluple, 2019. Laser animation. Courtesy of the artist and High Art Gallery. On view from June 2019 to September 2019.

Matt Copson, Gred, Blorange, Yeluple, 2019. Laser animation. Courtesy of the artist and High Art Gallery. On view from June 2019 to September 2019.

Haacke SI ONSITE

Hans Haacke, Swiss Institute Visitor’s Poll, 2018. iPads, Mac mini, monitor. App developed by Martin Maugeais. Chinese translation by Du Keke. Spanish translation by Angelina Jaffe. Courtesy of the artist and Paula Cooper Gallery. On view from June 2018 to August 2019.

Haacke SI ONSTITE

Hans Haacke, Swiss Institute Visitor’s Poll, 2018. iPads, Mac mini, monitor. App developed by Martin Maugeais. Chinese translation by Du Keke. Spanish translation by Angelina Jaffe. Courtesy of the artist and Paula Cooper Gallery. On view from June 2018 to August 2019.

SI ONSITE Jessi Reaves Swiss Institute

Jessi Reaves, Akari Roadkill, 2018. Metal, fabric, sawdust, wood glue, lighting fixture, hardware. Courtesy of the artist and Bridget Donahue, NYC. On view from June 2018 to May 2019.

SI ONSITE Valentin Carron Swiss Institute

Valentin Carron, Vecchio Cuore, 2018. Pine, paint. Courtesy of the artist and 303 Gallery. On view from June 2018 to May 2019.

SI ONSITE aerial view featuring works by Valentin Carron, Nancy Lupo and Michael Wang. Video by Dronegenuity.