Paris-based artist Marcelline Delbecq has gradually moved away from photography to focus on the cinematic potential of writing. She uses both narrative and narrator (the voice) to create a singular world where a writing turned into sound generates a series of mental images which move back and forth between description and pure fiction. Her own voice — which she often uses in sound installations, publications and readings — acts like a voice-over for various ‘invisible cinema’ projects where words, transformed into visions, call the whole act of beholding into question.